lauren kalman



Lauren Kalman is a visual artist based in Detroit, whose practice is invested in contemporary craft, video, photography and performance. Through her work she investigates beauty, adornment, body image, and the built environment. Raised in the Midwest, Kalman completed her MFA in Art and Technology from the Ohio State University and earned a BFA with a focus in Metals from Massachusetts College of Art.

Kalman exhibits and lectures internationally. Her work has been featured in exhibitions at the Renwick Gallery at the Smithsonian Museum of American Art, Museum of Contemporary Craft, Museum of Arts and Design, Cranbrook Art Museum, Contemporary Art Museum Houston, Museum of Fine Arts Boston, Mint Museum, and the World Art Museum in Beijing, among others. Her work is in the permanent collection of the Museum of Fine Arts Boston, the Smithsonian Museum of American Art, and the Detroit Institute of Art.

She has been awarded residencies at the Bemis Center, the Australian National University, the Corporation of Yaddo, Virginia Center for Creative Arts, Brush Creek Arts Foundation, Haystack, and Santa Fe Art Institute. She has received Ponyide, Ludwig Vogelstein Foundation, Puffin Foundation West and ISE Cultural Foundation Emerging Curator grants.

She has taught at institutions including Brown University and the Rhode Island School of Design. Currently she is an assistant professor at Wayne State University.

I am invested in using assertive and powerful performances of the female body in relationship to the built environment, wearable objects, and systemic power structures. I explore this territory through the lens of craft media.

My formative training is in the field of jewelry and contemporary crafts. Over the years my work has transitioned from jewelry as the format of my work to adornment as the subject of my work. I approach adornment through a variety of methods ranging from traditionally fabricated metal objects to textiles, beading, ceramics, installation, 3D printing, computer controlled objects, performance, photography, and video.

In recent history, craft has been recognized as a medium that endures outside of the white, male dominated, contemporary art world. Crafts have been socially constructed to be associated with the domestic, collective, and female. As my work deals largely with the female body, it calls upon historical associations with craft and the feminine. I choose to work within the craft traditions building on their association with the body, the senses, the feminine, the erotic, decadence, ritual, wealth, and power in ways that challenge the status quo.

My recent work has utilized a sterile aesthetic borrowed from Modernism combined with adornment and the female body. Fabricated objects that reflect sculptural ornamentation and adornment are combined with the body and design objects to produce photographs. These juxtapositions point to historical, political, and social contexts relating to sex, gender, power, pleasure, and beauty. I build objects and environments that interact with the body, and for the majority of my work I use my own body as the site for these interactions. These interactions are documented in photographs and video, and are presented as installations combining images, objects, sculptures, and video.



I have had a lot of help over the years and I would especially like to thank my family, Janice Kalman, Jeffery Kalman and Justin Kalman for their ongoing support, as well and the crew of Kalman & Pabst Photo Group for all of their help and advice.

Photograph by Colin Conces

Taken at the Bemis Center for Contemporary Arts